If you remember, MoMA had a big expansion just back in 2002 which had the museum move to Queens temporarily until it was re-opened to the public in September 2004. There were critics of that expansion too and the Guardian's Michael Wolf tells you why he thinks "...it is really too late for MoMA. The damage is done. Glenn D Lowry is the villain of the piece" because "The intimate, jewel-like space has become a standard-issue institutional structure, more suited to a corporate headquarters in Los Angeles or Dallas." Read the rest of his article here.
British Museum Expands Contemporary Collection with Canan Tolon, on view at Parasol Unit
Tonight is the opening of the Turkish-born artist Canan Tolon's first major London show at Parasol Unit. Dividing her time between San Francisco and Istanbul, Tolon's work is based on and deals with space, time, gravity, and chance interactions between disparate materials. She had an early interest in the marks left by the processes of growth and transformation over time which led to her using unusual techniques such as applying coffee grounds, letting grass grow on a canvas, or allowing rust to occur naturally and mix with pigment in her paintings. This exhibition also coincides with the British Museum's recent acquisition of a set of Tolon's drawings, Futur imparfait, 1986–1999, a series of 33 ink-wash and crayon figurative drawings. Since 2009, the British Museum has an active acquisitions committee for Modern and Contemporary Art from the Middle East since 1980s, CaMMEA. This patrons group has joined forces with the Turkish SAHA Association that provides funding to projects and museum acquisitions which contribute to the presence and visibility of contemporary art from Turkey. There is a good educational program alongside the show as well with talks, poetry and concerts. Spanning over Tolon's career from the 1980s until present day, this show promises to be an interesting one to visit. It is on view until 16th of March 2014.
An Artist wins Best Picture at the Golden Globes (first time!)
Congratulations to Steve McQueen, whose “12 Years A Slave” won the Best Picture at the Golden Globes last night, making him the FIRST ARTIST to win this title – what an honor! McQueen is not new to receiving praise and awards for his film projects, remember his 2008 feature film “Hunger” which got him the Camera d’Or at Cannes Film Festival (and thus became the first British director to win the title)
Moving between film and art circles, "Hunger" was followed by McQueen’s brilliant representation of Britain at the 2009 Venice Biennale with his new video piece “Giardini,” and followed by his 2nd feature film “Shame” 2011 which also received good reviews. But regardless of being a feature film or an artwork, McQueen’s imagery is always beautifully haunting and at times faces you with the harsh realities of life. Michael Fassbender, who starred in all three of McQueen’s feature films so far, explains why he thinks McQueen’s works are so powerful:
With his (Steve's) films, as an audience member you end up participating in the experience instead of just sitting there safely in your seat, removed from what's happening on the screen. I think that's what makes it difficult, and rightly so. When I saw the film (12 Years a Slave), it took a couple of hours to digest.
Tales from the London Old Master Sales: from 17,000 to 3.2 million!
What Do Artists Do All Day? with Edmund de Waal
Guide to PERFORMA 2013
Every two years in November, the city of New York buzzes with exciting performances and programs all under the roof of PERFORMA, founded by RoseLee Goldberg. We are warned that tickets are selling fast! For instance, Rashid Johnson's revival of Amiri Baraka's famous play "Dutchman" to be staged at the Russian and Turkish Baths is already sold out. Tonight is the opening night gala, and until Thanksgiving, Performa loving New Yorkers will be running around the city trying to see all the action (which we tried once and found it impossible!) Check out what looks from this year's program from Art F City.
Mike Kelley Screenings in London !
http://vimeo.com/77221402 It is officially November and time for the special Mike Kelley screenings in London! Organized by Artangel and the Mike Kelley Foundation for the Arts, and coinciding with the major survey of Mike Kelley's work at MoMA PS1, the Mobile Homestead videos will be screened at independent cinemas across the city 2nd-18th November. Mobile Homestead was the final work made by the great American artist Mike Kelley before his untimely death in 2012. The project involved Kelley building an exact replica of his childhood home, a 1950s suburban house in the Detroit suburb of Westland, with a special detachable façade that could be mounted on a chassis and driven around like a conventional mobile home. Check out the full program and more information on Artangel website.
Heartfelt Goodbye from Lou Reed's Wife Laurie Anderson
Laurie Anderson has published a short message in remembrance of her late husband, Lou Reed in a small newspaper of East Hampton, New York where they have been spending much time. Read her moving words here: To our neighbors:
What a beautiful fall! Everything shimmering and golden and all that incredible soft light. Water surrounding us.
Lou and I have spent a lot of time here in the past few years, and even though we’re city people this is our spiritual home.
Last week I promised Lou to get him out of the hospital and come home to Springs. And we made it!
Lou was a tai chi master and spent his last days here being happy and dazzled by the beauty and power and softness of nature. He died on Sunday morning looking at the trees and doing the famous 21 form of tai chi with just his musician hands moving through the air.
Lou was a prince and a fighter and I know his songs of the pain and beauty in the world will fill many people with the incredible joy he felt for life. Long live the beauty that comes down and through and onto all of us.
— Laurie Anderson his loving wife and eternal friend
Favorite Show of Frieze Week (so far!)
One of the best shows currently on in London, Hurvin Anderson at Thomas Dane presents only new works. The Jamaican descent British artist is known for his large interiors and landscapes that bear marks of his life: makeshift barbershops, public parks, gardens and swimming pools all evoke memories, adopting visual languages of both England and Jamaica. Some of the paintings on view at Thomas Dane reminds us of the same spacial construction of his Peter's Series (2007-9) depicting make shift barbershops set at home, a popular trend amongst newly arrived Caribbean immigrants in 1950s. Other works on view are landscapes, hinting at lonely journeys and solitary. Still, these are not dark, gloomy paintings but have vivid brushwork and dynamic palette. Our favorite show that opened during Frieze so far, but we still haven't made it to Gagosian for "The Show is Over" and to Sprueth Magers for Cyprien Gaillard/Morris Louis that we heard good news. And not to forget the Mark Bradford show at White Cube, which we are curious about. So many exhibitions are opening this week, it is overwhelming.